Chalice of Innocence

In ‘Chalice of Innocence’ by Sergio Aleman, the goblet, both a vessel and a barrier, serves as a protective yet fragile enclosure for the rabbit, a symbol of innocence. The translucent blue glass amplifies the emotional tension of containing something pure and vulnerable.‍Like innocence observed from a distance, the fastener holds the rabbit in a suspended state of preservation, yet invites contemplation of whether this protective act also diminishes its natural freedom.